Priscilla (75) & Friends: a portrait
2018. Expiring fruit cast in jesmonite, rubber objects cast from ad-hoc molds made from fishnet tights and plastic bags, muslin, leatherette, carved and painted polystyrene, Perspex, gemstones, pebbles, sea sponge, nail polish, and a ceramic toe – the sculptural equivalent of a group portrait – atop a steel stand fabricated in the form of a liquid spill, suspended in the moment of pouring over the edge of a table and pooling on the floor.
Priscilla (75) & Friends: a portrait borrows from ideas of trypophobia (a fear of closely clustered holes) and aposematism (warning colouration exhibited by animals who are hostile to predators) to refer to the aging process and the refusal of skin to conform to cultural ideals.
This work was developed during Hospitalfield Summer Residency 2018 and exhibited in #24hrwindow, Glasgow.